Classic Filipino Christmas Carol
Kasadya Ning Takna-a (”How Joyful Is This Season”) is a classic Christmas Carol and my favorite Filipino Christmas Carol. I still remember the lyrics by heart because I used to sing this upbeat Christmas song as a little girl while carolling with my friends in Cebu.
Kasadya ning táknaa
Dapit sa kahimayaan.
Mao ray among nakita,
Ang panagway nga masanagon.
Buláhan ug buláhan
Ang tagbaláy nga giawitan.
Awit nga halandumon,
Ug sa tanang pasko magmalípayon.
Bag-ong tuig, bág-ong kinabúhì.
Duyog sa átong mga pagbati.
Atong awiton ug atong laylayon
Aron magmalípayon.
(Edit Found a streaming file. Click my Filipino Christmas Song Playlist and Kasadya Ning Takna-a is number 2)
I am sure the song is more familiar to you if sang as Ang Pasko ay Sumapit, a popular Filipino Christmas Carol and the Tagalog adaptation of the 1933 Cebuano carol. Ang Pasko ay Sumapit first hit the airwaves when I was a teenager but I was horrified to hear my favorite carol sang in a different accent and beat. It’s not the same., I cried inside. I don’t hear the rondalla introduction of the song. It sounds horrible. I thought. The heavy (maragsa) accent that added vigor and festiveness was just not there in the Tagalog version. I’m sure if you heard the Tagalog version, you would appreciate Ang Pasko ay Sumapit but I first heard it sung in Visayan!
For me, Ang Pasko ay Sumapit is NOTHING compared to the joyfulness of the carol if sang in Visayan. The closest Tagalog version that follows true to the original version is the one sang by the Mabuhay Singers. Even the meaning of the lyrics are different.
But what makes the song even pathetic is the composer was paid a measly price for the Tagalog version. Here is the story of the Cebuano composer, Vicente Rubi.
A gentle Cebuano composer Vicente Rubi jotted down the notes of this daygon (carol) for a Christmas festival that year. Mariano Vestil, another Cebuano, wrote the lyrics. Forgotten Today, carolers in Cebu still sing the lilting beat and lyrics that the now-barely-remembered Rubi and Vestil blended 70 years ago. Bulahan ang tagbalay nga giawitan (”Blessed the homes that carolers sing to”). ….”It’s the supremest of ironies in a country that boasts of the longest celebration of Christmas,” Jullie Yap Daza wrote in the Times Journal in 1978. “But not a trace of effort has been made to attribute the beloved carol Ang Pasko Ay Sumapit to its author, Vicente D. Rubi.” By then, Rubi was an old impoverished widower, confined in a Cebu hospital. His carol had been hijacked by a recording company for 150 pesos.
Cebuanos recall the frail old man would shuffle to teach carolers, at his gate, how to sing his carol right. “Nong Inting” died in 1980, denied “what is due him in royalties,” now Manila Standard editor Yap-Daza wrote. This is raw exploitation. Today’s jargon calls that “Intellectual Property Rights” theft.
I heard Kasadya Ning Takna-a sang a few years ago and nearly choked in tears at the thought of Vicente Rubi never being paid royalties by that greedy recording company. Whenever I listen to Ang Pasko ay Sumapit, not only do I feel strange hearing it sung in a different tone but I feel history should give more credit to Vicente Rubi.
Bagong tuig, bagong kinabuhi, the Cebuano original, and its Tagalog adaptation, proclaim. It echoes the Advent cry of Isaiah: “Break the fetters of injustice … and break every yoke/ Then, will your light break forth as the morning.”
Where is the justice due Vicente Rubi?
Though more than 70 years have lapsed and royalties are way past the 50 year mark, I will honor Vicente Rubi in this blog for all the world to know him as the composer of Ang Pasko ay Sumapit, the Tagalog version of Kasadya Ning Takna-a.
One day, I hope a music producer will come out with the Kasadya Ning Takna-a , the original daygon version. Hopefully, this forgotten Cebuano Carol will once again claim its rightful place in Philippine music.
How joyful is this season if we remember Vicente Rubi. (Listen to the original version below this entry. It’s on track number 2)
What is your favorite Christmas song?
Here is a playlist of Filipino Christmas Carols I collated for you to add more joy to your Christmas celebration. The first song in the track is Pasko na Sinta ko sung by my two girls and three other members of the Manila Children’s Choir in 1999. The second track is “Kasadya ni Takna-a” sung the way it should be.
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don’t you just love Christmas carols? i have a similar list in my blog. here — enjoy!
@Cathy- I love playlists. Sometimes I am lazy to download tracks
I am quite bothered that the tagalog version (since I am pure tagalog) is not as good as that of the Visayan but I guess since it originally originated in your area then I respect that. It is sad that in our society, many achievements of others are easily taken by opportunists. I guess karma will just do its thing.
@yohann- I am more bothered that the composer was not paid fairly. I guess the Tagalog version was just more popular
I ‘ve heard the carol before. You’re right. I like the staccato beat
It’s such a pity. maybe he thought it was a one time payment thing.
That is an interesting story, Noemi. I didn’t know about this until I read your blog. And to think he died without being given what was due to him is so sad but I’m sure the angels in heaven welcomed him with open arms.
You have a lot of songs by the Madz, they are wonderful. Hubby’s cousin who is also a priest (mga Bol-anon) used to sing with a group until he had his own chorale.
Noemi I am with you. Sometimes I am lazy too
hmm made me homesick this song…
At our Yap family reunion held in Cebu December in 2002, the non-Cebuano speaking family members surprised the host Cebuanos by singing Ang Kasadya along with them at the end of the mass.
“Secret” emails had went back and forth Manila, USA and Australia setting down the Cebuano lyrics. The names of Rubi and Vestil and the original year was included to convince the Manila people that the Cebuano version was indeed the original. I underlined the syllables that fell on the beat, so that even the Australian-accented cousins got it down pat.
We then inveigled the programmer to include the carol in the overhead projector at the end of the Mass. The Cebuanos needed no prompting when the lyrics were put on the projector and the guitarists started the intro. They were thoroughly surprised that the Manila, USA, and Australia contingents joined in just as fluently.
We hope in some measure we honored Rubi and Vestil that night.